"I'm sorry he's out. He's always out—all day long." "Well, then, that's all right," said Mrs. Gereth as if she had only wanted to feel that she had been irreproachably considerate. After this she was gentler still, but she had another point to clear up. "Why have you given, for a reply, your sister's address?"!

The exchange of observations between the friends had grown very direct by the time Fleda asked Mrs. Gereth whether she literally meant to shut herself up and stand a siege, or whether it was her idea to expose herself, more informally, to be dragged out of the house by constables. "Oh, I prefer the constables and the dragging!" the heroine of Poynton had answered. "I want to make Owen and Mona do everything that will be most publicly odious." She gave it out that it was her one thought now to force them to a line that would dishonor them and dishonor the tradition they embodied, though Fleda was privately sure that she had visions of an alternative policy. The strange thing was that, proud and fastidious all her life, she now showed so little distaste for the world's hearing of the squabble. What had taken place in her above all was that a long resentment had ripened. She hated the effacement to which English usage reduced the widowed mother: she had discoursed of it passionately to Fleda; contrasted it with the beautiful homage paid in other countries to women in that position, women no better than herself, whom she had seen acclaimed and enthroned, whom she had known and envied; made in short as little as possible a secret of the injury, the bitterness she found in it. The great wrong Owen had done her was not his "taking up" with Mona—that was disgusting, but it was a detail, an accidental form: it was his failure from the first to understand what it was to have a mother at all, to appreciate the beauty and sanctity of the character. She was just his mother as his nose was just his nose, and he had never had the least imagination or tenderness or gallantry about her. One's mother, gracious heaven, if one were the kind of fine young man one ought to be, the only kind Mrs. Gereth cared for, was a subject for poetry, for idolatry. Hadn't she often told Fleda of her friend Madame de Jaume, the wittiest of women, but a small, black, crooked person, each of whose three boys, when absent, wrote to her every day of their lives? She had the house in Paris, she had the house in Poitou, she had more than in the lifetime of her husband (to whom, in spite of her appearance, she had afforded repeated cause for jealousy), because she had to the end of her days the supreme word about everything. It was easy to see that Mrs. Gereth would have given again and again her complexion, her figure, and even perhaps the spotless virtue she had still more successfully retained, to have been the consecrated Madame de Jaume. She wasn't, alas, and this was what she had at present a magnificent occasion to protest against. She was of course fully aware of Owen's concession, his willingness to let her take away with her the few things she liked best; but as yet she only declared that to meet him on this ground would be to give him a triumph, to put him impossibly in the right. "Liked best"? There wasn't a thing in the house that she didn't like best, and what she liked better still was to be left where she was. How could Owen use such an expression without being conscious of his hypocrisy? Mrs. Gereth, whose criticism was often gay, dilated with sardonic humor on the happy look a dozen objects from Poynton would wear and the charming effect they would conduce to when interspersed with the peculiar features of Ricks. What had her whole life been but an effort toward completeness and perfection? Better Waterbath at once, in its cynical unity, than the ignominy of such a mixture! Fleda, at this, felt that her heroism had come to its real test—felt that in telling him the truth she should effectively raise a hand to push his impediment out of the way. Was the knowledge that such a motion would probably dispose forever of Mona capable of yielding to the conception of still giving her every chance she was entitled to? That conception was heroic, but at the same moment it reminded Fleda of the place it had held in her plan, she was also reminded of the not less urgent claim of the truth. Ah, the truth—there was a limit to the impunity with which one could juggle with it! Wasn't what she had most to remember the fact that Owen had a right to his property and that he had also her vow to stand by him in the effort to recover it? How did she stand by him if she hid from him the single way to recover it of which she was quite sure? For an instant that seemed to her the fullest of her life she debated. "Yes," she said at last, "if your marriage is really abandoned, she will give up everything she has taken."

Fleda had to declare that she certainly didn't, and that Waterbath had been a warning it would be frivolous to overlook. At the same time she privately reflected that they were taking a great deal for granted, and that, inasmuch as to her knowledge Owen Gereth had positively denied his betrothal, the ground of their speculations was by no means firm. It seemed to our young lady that in a difficult position Owen conducted himself with some natural art; treating this domesticated confidant of his mother's wrongs with a simple civility that almost troubled her conscience, so deeply she felt that she might have had for him the air of siding with that lady against him. She wondered if he would ever know how little really she did this, and that she was there, since Mrs. Gereth had insisted, not to betray, but essentially to confirm and protect. The fact that his mother disliked Mona Brigstock might have made him dislike the object of her preference, and it was detestable to Fleda to remember that she might have appeared to him to offer herself as an exemplary contrast. It was clear enough, however, that the happy youth had no more sense for a motive than a deaf man for a tune, a limitation by which, after all, she could gain as well as lose. He came and went very freely on the business with which London abundantly furnished him, but he found time more than once to say to her, "It's awfully nice of you to look after poor Mummy." As well as his quick speech, which shyness made obscure—it was usually as desperate as a "rush" at some violent game—his child's eyes in his man's face put it to her that, you know, this really meant a good deal for him and that he hoped she would stay on. With a person in the house who, like herself, was clever, poor Mummy was conveniently occupied; and Fleda found a beauty in the candor and even in the modesty which apparently kept him from suspecting that two such wiseheads could possibly be occupied with Owen Gereth. Owen looked a trifle bewildered. "She doesn't see the use of hanging on, as I haven't even yet put the matter into legal hands. She's awfully keen about that, and awfully disgusted that I don't. She says it's the only real way, and she thinks I'm afraid to take it. She has given me time and then has given me again more. She says I give Mummy too much. She says I'm a muff to go pottering on. That's why she's drawing off so hard, don't you see?" "Even the Maltese cross. Why not that as well as everything else?—especially as I remembered how you like it."